torstai 19. helmikuuta 2009

god is a simulation, imitation

onli gri, griis
thissis my place and the limits as far as i know
what are all these sacred teskts you know: poesias. I don't think -- whatever they are – the desire acknowledgment..the enigma is both trickster and trigger -- indisputablle,

but not real in a conventional way.

whaa du juu mean governments are preparing disclosure of evidence? Simulointi tai simulaatio on todellisuuden jäljittelyä. Ihminen simuloi todellisuutta omassa mielikuvitusmaailmassaan. Nisäkkäillä ja marsilaisilla merkittävää todellisuuden jäljittelyä on leikki. me olemme se. Ihmisen ja jumalan kyky tulevaisuuden ennakointiin (vrt. "isän ja äidin" tai metsästyksen leikkiminen), on ollut yksi hänen keinoistaan selvitä. i suppose im virtual

Shouldn't we be set free from this universe and not be bound by its annoying rules? Flying or teleporting to the other end of town is much better than taking the car.
our reality is the (a?) simulation. We are confined by the rules set therein and the most important rule is that existing outside of our reality

The simulacrum is never that which conceals the truth--it is the truth which conceals that there is none.


The simulacrum is true. To dissimulate is to feign not to have what one has. To simulate is to feign to have what one hasn't. One implies a presence, the other an absence.

the difference is clear, it is masked; simulation threatens the difference between "true" and "false", between "real" and "imaginary" finally i understand wha plato told us. When the real is no longer what it used to be, nostalgia assumes its full meaning. There is a proliferation of myths of origin and signs of reality; of second-hand truth, objectivity and authenticity. There is an escalation of the true, of the lived experience; a resurrection of the figurative where the object and substance have disappeared. And there is a panic-stricken production of the real and the referential, above and parallel to the panic of material production. This is how simulation appears in the phase that concerns us: a strategy of the real, neo-real and hyperreal, whose universal double is a strategy of deterrence.

disneyland is a perfect model of all the entangled orders of simulation. To begin with it is a play of illusions and phantasms: pirates, the frontier, future world, etc. This imaginary world is supposed to be what makes it successful.

The Tunnel to Flimsy


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