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The fourth section of Marion's work Prolegomena to Charity is entitled "The Intentionality of Love" and primarily concerns Intentionality and Phenomenology. Influenced by (and dedicated to) the French philosopher Emmanuel Lévinas, Marion explores the human idea of love and its lack of definition: "We live with love as if we knew what it was about. But as soon as we try to define it, or at least approach it with concepts, it draws away from us."[6] He begins by explaining the essence of consciousness and its "lived experiences." Paradoxically, the consciousness concerns itself with objects transcendent and exterior to itself, objects irreducible to consciousness, but can only comprehend its 'interpretation' of the object; the reality of the object arises from consciousness alone. Thus the problem with love is that to love another is to love one's own idea of another, or the "lived experiences" that arise in the consciousness from the "chance cause" of another: "I must, then, name this love my love, since it would not fascinate me as my idol if, first, it did not render to me, like an unseen mirror, the image of myself. Love, loved for itself, inevitably ends as self-love, in the phenomenological figure of self-idolatry."[6] Marion believes intentionality is the solution to this problem, and explores the difference between the I who intentionally sees objects and the me who is intentionally seen by a counter-consciousness, another, whether the me likes it or not. Marion defines another by its invisibility; one can see objects through intentionality, but in the invisibility of the other, one is seen. Marion explains this invisibility using the pupil: "Even for a gaze aiming objectively, the pupil remains a living refutation of objectivity, an irremediable denial of the object; here for the first time, in the very midst of the visible, there is nothing to see, except an invisible and untargetable void...my gaze, for the first time, sees an invisible gaze that sees it."[6] Love, then, when freed from intentionality, is the weight of this other's invisible gaze upon one's own, the cross of one's own gaze and the other's and the "unsubstitutability" of the other. Love is to "render oneself there in an unconditional surrender...no other gaze must respond to the ecstasy of this particular other exposed in his gaze." Perhaps in allusion to a theological argument, Marion concludes that this type of surrender "requires faith."[6]

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